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Review:
Sandman The Dream Hunters
By Charles Tan (Nov 20, 2000)
The
Sandman series, along with its renowned author Neil Gaiman,
has established itself among many comic fans. After a decade
of success, DC has released a new Sandman with famous Japanese
artist Yoshitaka Amano (Final Fantasy and Vampire Hunter
D anyone?) doing the artwork. However, unlike its predecessors,
this is a different take on the Sandman in more ways than
one. First off, The Dream Hunters is not a comic. How can
that be? Instead of being presented in panels and word balloons,
the book (hardbound and will soon be available on paperback!)
has a unique way of telling its story. It has a more children's
book feel to it with pages alternating between text and
illustrations. Second, it has a more oriental (to be more
specific, Japanese) look and personality. The artwork is
reminiscent of paintings rather than the American pencil-and-color
stuff. The character designs are distinctively Asian and
the illustrations could easily be mistaken for relic paintings
of China or Japan. Personality-wise, this is a different
Sandman and not the same Morpheus many have come to know
and love. Gone is the tie between Morpheus and Death and
the plot is not linked in any way to the stories previous
told. This is instead a retelling of an old Japanese myth.
Be that as it may, the deity known as The King of All Night's
Dreaming retains elements of Gaiman's Sandman. Think of
it as Morpheus' Eastern counterpart. We all know of Gaiman's
talent with words and stories. The Dream Hunters is no exception
as a fascinating legend is retold in a very unique way.
This is a Japanese myth, a kind of fairy tale and Gaiman
does not change this aspect. From the start of the story,
the words are simple and uncomplicated making it easy for
readers to understand. Make no mistake though. Just because
they are simple does not mean they are not descriptive enough
or do not have depth. This is actually one of the most enjoyable
stories I have read and love to reread. There is even a
play on the font so that you know when HE is talking by
setting the text in bold which gives it more impact. Mr.
Gaiman's skill in storytelling can only be matched by Yoshitaka
Amano's artistic style. The text is only half of the book
and what makes The Dream Hunters good is the beautiful and
expressive art Amano contributes. It wouldn't be half as
good if it weren't for all the visual effects which gives
the readers a better feel for the story. The illustrations
add depth to the existing tale and they are wonderful to
behold. Readers would also be entreated with the fold spread
of The King of All Night's Dreaming. The mix and match of
pictures and words presents the entire story in a vivid
and compelling way, the absence of either one making it
less than a shadow of its entirety. It is a very unique
way to tell a story and because of the way it is told, it
opens up a broad range of readers from children to literary
critics.
Despite
all these merits, The Dream Hunters IS a Japanese story
so there are cultural barriers that will hinder a better
appreciation for the story. Neil Gaiman did extensive research
on Japanese culture, religion, and mythology. The readers,
however, are not so fortunate. They will see a fox (kitsune)
and a badger* (tanuki) change their forms but not know why
they are able to. Unless you have been raised up in Japanese
legends, it will be surprising for casual readers as to
why animals could change shape. Another is the allusions
to Eastern folklore such as Onis and Tengus but these are
just quibbles. The casual reader can read it without any
prerequisites and gain more insight on Japanese culture
as well as enjoy a great story.
(Webmasters
note: Westernization is a terrible thing. Let 'em stupid
fascists LEARN about Japanese culture for once.)
Overall,
reviewing this "book" has been a real treat and I do not
consider it a waste of time. It's a wonderful read and the
good thing about it is that it's easy to get into since
it uses a lot of illustrations and simple sentences as well
as being stand-alone. Given that, the hardbound is quite
expensive (P1050 at Powerbooks but expect the price to increase
as much as 50% when purchasing from comic shops) so if you
don't have the budget, I recommend you wait for the paperback
release as it's a story you just can't afford to miss whether
you're a Sandman fan or not.
(Webmaster's
note: A badger in Japanese is anaguma. A tanuki is a raccoon.
A typical raccoon looks like a badger but with the striped
tail. Only raccoons have made it to Japanese mythology;
else Mario in Super Mario Brothers 3 would've been able
to transform into a badger, and badgers would be household
animals.)
All
original materiel are properties of their respective creators.
Please do not use any original art without the permission
of the Comic Collective or their original creators/owners.
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